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When
Crystal J. Lucky, Ph.D., an associate professor of English,
Africana Studies and Women’s Studies, joined the faculty of the Department of
English in 1996, she thought her primary responsibilities would be the mentoring
of African-American students. As her courses, including the African-American
Novel, The Harlem Renaissance, African-American Images in Film and Literature,
The Fiction of Toni Morrison, Slavery and the Literary Imagination and
African-American Drama of the 20th Century, gained popularity among all students
and reached full enrollment capacity, however, Crystal came to realize that
Villanova as a community was hungry—very hungry—for the material she was
teaching.
“I had an epiphany of sorts,” Crystal said. “I realized that I’m not
here exclusively for black students, but I’m here for all students. I’m here to
help mold the future leaders of this country— political officials, doctors,
lawyers, CEOs and those in other upper-level management positions in
corporations. I want all my students to have a better understanding of race in
its complex and nuanced forms, and as working adults to see their
constituencies, patients or clients as whole people instead of stereotypes.”
Open and informed discussion drives Crystal’s classes. The questions raised by
students are varied and complex, offering so many dimensions to explore that one
semester just isn’t long enough to cover all angles and nuances; the layers are
dense. “The most important thing, however, is to get those difficult
conversations started,” Crystal said. “Literature is my vehicle to dialogue, my
way to get people talking and initiating conversations about race. Literature
helps us think about human values in profound ways. I want my students to think
about the interactions between and among characters in what we read and ask how
those relationships serve as a window to life in 2005.”
Crystal encourages her
students to read closely and attentively and to analyze what they are reading in
thoughtful ways. She values student work that shows ambition, flair and
originality. “I want to get these young adults arguing intelligently and
thinking right,” Crystal said. “I want them to read, think, evaluate and
discuss—to be in close proximity with people they may see from afar.”
Crystal
emphasizes rigorous writing in all of her courses. She asks her students to try
to understand that writing is a process and that no piece of prose is written
perfectly the first time. That is why she encourages several revisions and
frequent trips to the University’s Writing Center, where students work
one-on-one with peer tutors throughout all phases of the writing process, from
brainstorming for ideas to polishing final drafts.
As a teacher, Crystal is
motivated by the knowledge that she is helping to shape the thought processes
and values of the next generation of change agents: individuals called upon to
improve life in America for all people.
“What inspires me to teach is that I can
influence future policymakers,” Crystal said. “Before taking one of my courses,
my students often tell me that their views had been shaped by rumor and hearsay.
All they knew was what they heard in music and saw on videos or billboards.
Literature is my way of building a new understanding.”
Crystal said that her
mother, a 30-year veteran teacher of the School District of Philadelphia,
remains a strong and powerful influence in her life. “I watched the difficulties
she experienced,” Crystal said. “She inspires me through her unceasing
dedication, professionalism and diligence.”
Just as Crystal’s mother took
attendance in class, so too does her daughter. “I take roll call and give a quiz
with each new reading,” Crystal said. “The quizzes aren’t designed to be
difficult. The point is: ‘come to class ready to play; don’t sit here and hide.
Ask tough questions. Challenge your classmates. Challenge me.’ The classroom
that I create is a safe place to do just that.”
Crystal Lucky, Ph.D., is an associate professor
in the department of English. She is
program director of Africana Studies and teaches courses in the Women’s
Studies
department. Her undergraduate courses include the African American Novel;
The
Harlem Renaissance, African American Women Writers, 1900-1960; the African
American Short Story; the Fiction of Toni Morrison; African American Images
in
Film and Literature; and African American Drama of the 20th Century. She has
been a member of the College’s faculty for nine years.
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