By Yasmina Reza
Translated by Christopher Hampton
Directed by Harriet Power
October 5-17, 2004
"Director Harriet
Power goes beyond playwright Yasmina Reza's sensitive
examination of male friendship to make Art a comic-tragedy
about the power of perception. Power succeeds in
making one of the world's most-produced plays seem
entirely original."
Philadelphia Weekly
Art is an international theatrical sensation
and comic tour de force about three men whose friendship
is put to the test when one of them purchases an
absurd - and absurdly priced - piece of contemporary
art. Filled with amusing observations and sharp
dialogue that hints at the tensions bubbling beneath
the surface, Art is a witty and wise exploration
of truth, loyalty, and the fine art of friendship.
Harriet Power teaches dramaturgy, acting, and solo performance at Villanova, and works professionally as a director and dramaturg. This past year, on sabbatical in Rome, Italy, she received a grant from the American Embassy to direct Dinner with Friends for The English Theatre of Rome (the city’s largest professional English-language theatre). Recent U.S. directing credits include By the Bog of Cats... and Uncle Vanya at Villanova; Missing Link at InterAct Theatre Company (2002 Barrymore nominee, Best New Play); and Measure for Measure at Philadelphia Shakespeare Festival (2001 Barrymore nominee, Outstanding Direction). From 1995-98, as Artistic Director of Venture Theatre, she directed A Moon for the Misbegotten (1998 Barrymore nominee, Outstanding Direction), Fires in the Mirror (with Ozzie Jones), and Mad Forest (co-produced with Temple Theaters, Philadelphia Inquirer “Best Director”, 1994). Power has worked extensively with new plays and playwrights at Bay Area Playwrights Festival, West Coast Playwrights, Iowa Playwrights Festival, and in Philadelphia. She directed the world premiere of Dorothy Louise’s LoveKnot at the International Women Playwrights Festival, Galway, Ireland. Among the 11 productions she has staged at Villanova, Angels in America Part II: Perestroika, directed with James J. Christy, won 1997 Barrymore Awards for Outstanding Direction of a Play, Outstanding Ensemble, and Outstanding Supporting Actress.
Press Release
VILLANOVA THEATRE PRESENTS the HIT COMEDY ART
Villanova Theatre opens the 2004-2005 season with Art, the hit comedy about three friends and the remarkable painting that comes between them. Art is written by Yasmina Reza, translated by Christopher Hampton, and directed by Villanova University theatre professor Harriet Power.
Art is on stage October 5–17, 2004, at Vasey Hall on the Villanova University campus. Showtimes are 8:00pm Tuesday-Saturday and 2:00pm Sunday. Tickets are $18–$22 and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474. Additional information is available at
www.villanova.edu/artsci/theatre/.
In Art, a wealthy young doctor, Serge, astounds his two best friends, Marc and Ivan, when he purchases an unusual – and unusually priced – contemporary painting. When Marc confronts Serge and ridicules him for wasting his money, the three friends begin to question the nature of their relationship. As the play progresses and their wrangling escalates, it soon becomes clear that Art is less about “art” and more about the complexities of truth and loyalty in friendship. “Art focuses on what we expect from our friends and how we behave when someone makes a decision that not only shocks us but makes us feel betrayed,” said Power. “Whether we’re of the younger or older generation – and regardless of gender – the play is packed with insights about all those unmentionables we’re not supposed to talk about in a relationship....who’s more powerful, who’s richer, cooler, smarter, sexier, who’s the leader and the follower, how we compete with and manipulate each other.”
Since its premiere a decade ago, Art has become an international theatrical sensation. It has been translated into 35 languages and produced all over the world. The play opened in Paris in 1994, where it won Molière Awards for best author, best play, and best production. It went on to receive the 1997 Olivier Award for best play and the 1998 Tony Award and New York Drama Critics Circle Award for best play.“The thrill of Art is getting to see what is normally hidden,” said Power. “I think the play has been so successful because it gives the audience the opportunity to be voyeurs – to observe the hidden world of men and how they interact with each other. “This play has touched a nerve far more universal than even Yasmina Reza probably imagined,” she continued. “Trios of male actors all over the world have savored the opportunity to dive into these very nuanced and quirky and not always admirable characters. Part of the appeal of the play is also that most of us relate to aspects of all three men – we don’t side with any one person.”
Villanova Theatre’s production of Art features the acting talents of three graduate theatre students. Acting scholar Nick Falco portrays Marc, an aeronautical engineer who is bewildered and angered by his best friend’s new purchase. Falco’s Villanova credits include Parade, Don Juan, City of Angels, Chicago, and Children of Eden. Serge is played by Josh Sauerman, a second-year graduate student who previously appeared in Don Juan, Goodnight Desdemona (Good Morning Juliet), and as Leo Frank in Parade. Bob Bonocore, also an acting scholar, portrays Ivan, the flustered friend perennially caught in the middle. Bonocore’s stage credits at Villanova include Roger Doremus in Summer and Smoke and M. Dimanche in Don Juan.
Playwright Yasmina Reza was born in 1959 in Paris, France. After studying at Paris X University and the Jacques Lecoq Drama School, she began her career as an actress. Her first play, Conversations After a Burial (1987), gave her immediate success as a playwright. Reza’s plays have been international critical and popular successes, translated and produced worldwide. In addition to Art, she is the author of The Passage of Winter (1989), The Unexpected Man (1995), Life x 3 (2000), and Une Piece Espagnole (2004). Her novels include Hammerklavier, Desolation, and Adam Haberberg.
Translator Christopher Hampton is an award-winning writer, translator,
and lyricist. His credits include translations of Reza’s Conversations After a Burial, Art, The Unexpected Man, and Life x 3. His plays The Philanthropist and Les Liaisons Dangereuses received Tony Award nominations for Best Play. His screenplay for the film Dangerous Liaisons, adapted from his play, won a 1988 Academy Award for Best Adapted Screenplay. Hampton won a 1995 Tony Award for Best Book for the musical Sunset Boulevard. His most recent endeavor is writing book and lyrics (with Don Black) for Dracula, The Musical, which opened on Broadway in August.
Director Harriet Power teaches dramaturgy, acting, and solo performance at Villanova, and works professionally as a director and dramaturg. This past year, on sabbatical in Rome, Italy, she received a grant from the American Embassy to direct Dinner with Friends for The English Theatre of Rome (the city’s largest professional English-language theatre). Recent U.S. directing credits include By the Bog of Cats... and Uncle Vanya at Villanova; Missing Link at InterAct Theatre Company (2002 Barrymore nominee, Best New Play); and Measure for Measure at Philadelphia Shakespeare Festival (2001 Barrymore nominee, Outstanding Direction). From 1995-98, as Artistic Director of Venture Theatre, she directed A Moon for the Misbegotten (1998 Barrymore nominee, Outstanding Direction), Fires in the Mirror (with Ozzie Jones), and Mad Forest (co-produced with Temple Theaters, Philadelphia Inquirer “Best Director”, 1994). Power has worked extensively with new plays and playwrights at Bay Area Playwrights Festival, West Coast Playwrights, Iowa Playwrights Festival, and in Philadelphia. She directed the world premiere of Dorothy Louise’s LoveKnot at the International Women Playwrights Festival, Galway, Ireland. Among the 11 productions she has staged at Villanova, Angels in America Part II: Perestroika, directed with James J. Christy, won 1997 Barrymore Awards for Outstanding Direction of a Play, Outstanding Ensemble, and Outstanding Supporting Actress.
The production team assembled for Art includes Scenic Designer David P. Gordon, Costume Designer Charlotte Cloe Fox Wind, Lighting Designer Jerold R. Forsyth, Properties Designer cdavid hall-cottrill, Sound Designer Bill Moriarty, and Dramaturg Elizabeth Pool.Art performs October 5–17, 2004. Press Opening is Wednesday, October 6, at 8:00pm. Performances are held in Vasey Hall, located at Lancaster & Ithan Avenues, on the Villanova University campus. Showtimes are 8:00pm Tuesday-Saturday and 2:00pm Sunday. Tickets are $18-$22, with discounts for seniors, groups, and students.
Villanova Theatre continues the 2004-2005 season with Friedrich Dürrenmatt’s 1956 tragicomedy The Visit, November 9–21, 2004; William Shakespeare’s endearing romantic comedy Twelfth Night, February 15–27, 2005; and the seven-time Tony Award-winning musical Big River, based on Mark Twain’s The Adventures of Huckleberry Finn, April 5–24, 2005. For tickets and information, please call the Villanova Theatre Box Office at 610-519-7474 or log on to
www.villanova.edu/artsci/theatre/.
Production Photos
Serge (Josh Sauerman) and Ivan (Bob Bonocore)
Serve (Josh Sauerman) and Marc (Nick Falco
Marc (Nick Falco), Serge (Josh Sauerman), and Ivan (Bob Bonocore)
Serge (Josh Sauerman)
Marc (Nick Falco)
Ivan (Bob Bonocore)
Cast of Characters
IVAN
Bob Bonocore
MARC
Nick Falco
SERGE
Josh Sauerman
The Visit
By Friedrich Dürrenmatt
Adapted by Maurice Valency
Directed by Jonathan Carr
November 9-21, 2004
In this deliciously dark fable, a scorned woman, Claire,
returns to her poverty-stricken hometown to confront the
man who turned his back on her many years ago. Now fabulously
wealthy and intent on revenge, Claire offers to save the
town from bankruptcy, but there's one small catch. This
modern-day Greek tragedy shows just how far some people
will go for love...and money.
Jonathan Carr is an adjunct professor at Villanova, and received his M.F.A. in
directing from Columbia University. He made his Philadelphia directing debut here
with last season’s Goodnight Desdemona (Good Morning Juliet). More recently, Jonathan
directed Lanford Wilson’s Fifth of July at Ursinus College and Audience/Unveiling,
two one acts by Vaclav Havel, at the Allens Lane Theater in Mt. Airy. His New York
directing credits include Gombrowicz's Princess Ivona, Ibsen's When We Dead Awaken,
and an original adaptation of Duras' The Malady of Death. Work with contemporary
playwrights includes Timothy Braun's Angelina, Deirdre T. O'Connor's The Ladies,
Caroline Prugh’s Terminal, and Heather MacDonald's Son of Nun in High Road in the
N.Y. Intl. Fringe Festival. He also directed the Austin, TX premiere of Constance
Congdon's Dog Opera, and has assistant directed at Actors Theatre of Louisville
(Anne Bogart), Ma-Yi Theatre Company at The Public Theater/NYSF (Lisa Peterson),
San Jose Repertory Theatre (Timothy Douglas, John McCluggage), and Williamstown
Theatre Festival (Paul Weidner).
Press Release
VILLANOVA THEATRE PRESENTS THE VISIT
Friedrich Dürrenmatt’s Deliciously Dark Comedy About Love, Revenge, and Money
What happens when the richest woman in the world returns to her poor hometown
to confront the man who spurned her many years ago? Villanova Theatre explores these
themes of love, revenge, and money in Friedrich Dürrenmatt’s dark comedy The Visit.
Adapted by Maurice Valency and directed by adjunct theatre professor Jonathan Carr,
The Visit runs November 9–21, 2004, at Vasey Hall on the Villanova University campus.
Showtimes are 8:00pm TuesdaySaturday and 2:00pm Sunday. Tickets are $18–$22 and
may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474. Additional
information is available at http://www.villanova.edu/artsci/theatre/.
In The Visit, Claire Zachanassian
returns to her poverty-stricken hometown of Güllen, intent on revenge. Claire confronts
the popular town grocer, Alfred Ill, the man who turned his back on her when she
was young, scared, and pregnant. Now fabulously wealthy, Claire offers to save the
town from bankruptcy, but there is one small catch.
“There are two big stories in
The Visit,” said director Carr. “There is the story of Güllen and what the townspeople
do to survive. They are desperate and, after Claire’s arrival, the town has to deal
with the opportunity to have money again if they turn on Ill.
“The other main story
is an old and twisted love story about two childhood lovers who meet up again late
in life,” he continued. “They challenge each other, it is a little war out there.
And that’s what we come to the theatre to watch: two people battling it out for
what they desperately want.“
Dürrenmatt’s unsettling mix of comedy and tragedy makes
for compelling theatre, said Carr.
“Crazy things happen in The Visit and we don’t
know what it all means or how to respond,” he said. “Ridiculous, often very funny
things in the play have horrifying and all too real consequences. The tragedy comes
from the history in the play - the story of a man shirking his responsibility and
destroying a young girl’s life - and also from where The Visit is inevitably headed...toward
justice and retribution.”
The Visit premiered as Der Besuch der Alten Dame in Zurich
in 1956. The play was an instant hit for 35-year-old Dürrenmatt. Maurice Valency
adapted the play in 1958, and The Visit opened the Lunt-Fontanne Theatre in New
York City in a production directed by Peter Brook and starring Alfred Lunt and Lynn
Fontanne.
Dürrenmatt was born on January 5, 1921, in Konolfingen, Switzerland, near
Bern. His early work includes It Is Written (1946) and The Blind (1948). Dürrenmatt's
first success on the post-World War II stage was Romulus the Great (1949), a comedy
about the fall of the Roman Empire. With An Angel Comes to Babylon in 1953 and The
Visit in 1956, Dürrenmatt's reputation was firmly established in Europe. During
this time, he also wrote essays, radio scripts, detective stories, and novels. He
continued writing until his death in 1990; his later plays include Play Strindberg
(1969), The Appointed Time (1977), and his last major work, The Execution of Justice
(1989).
In Villanova’s production of The Visit, the vengeful Claire Zachanassian
is played by theatre professor Joanna Rotté. She last appeared on stage as the Catwoman
in Marina Carr’s By the Bog of Cats... (2003). At Villanova, Rotté has directed
Tennessee Williams’ Summer and Smoke, Samuel Beckett’s Waiting for Godot and Endgame,
David Rabe’s In the Boom Boom Room, Tina Howe’s The Art of Dining, and Sam Shepard’s
True West and The Tooth of Crime, as well as numerous works by Caryl Churchill.
Her own plays, Prajna, Death of the Father, and Art Talk, have been featured presentations
of the Philadelphia Fringe Festival. Rotté is the author of Scene Change (A Theatre
Diary: Prague, Moscow, Leningrad) and Acting With Adler.
Stephen Patrick Smith appears
as Alfred Ill. Smith, who received his M.A. in theatre from Villanova in 1999, was
last seen at Villanova as Clov in Rotté's 2000 production of Endgame. Smith went
on to receive his M.F.A in acting in 2003 from the University of Delaware’s Professional
Theatre Training Program. He has since worked professionally in Philadelphia and
regionally with such theatres as The Utah Shakespearean Festival. Recent roles include
Henry Carr in Tom Stoppard’s Travesties and Jack Burden in the world premiere of
All The King’s Men, adapted and directed by Adrian Hall.
The 25-member ensemble
of The Visit is comprised of a mix of Villanova graduate theatre students, undergraduates,
faculty members, and guest artists, including Karen H. Ames, Bob Bonocore, Carrie
Bray, Leigh Ann Brienza, Deborah Crane, David Ethier, Nick Falco, Nancy M. Furey,
Maria Gianfrancisco, Charles Helmetag, André N. Jones, Joe Leduc, Matthew Livingstone,
Tonilyn Longo, Shaun Malleck, Brian Manelski, Rebecca McFadden, Elizabeth Pool,
Justin Poole, Barbara Quinn, Joseph Quirk, Paul Recupero, Matthew Rohner, Thomas
Sibley, and Taylor Williams.
Carr received his M.F.A. in directing from Columbia
University. He made his Philadelphia directing debut last season with Goodnight
Desdemona (Good Morning Juliet) at Villanova. Other area credits include Lanford
Wilson’s Fifth of July at Ursinus College and Audience/Unveiling, two one acts by
Václav Havel, at Allen’s Lane Theater in Mt. Airy, PA. His New York directing credits
include Witold Gombrowicz’s Princess Ivona, Henrik Ibsen’s When We Dead Awaken,
and an original adaptation of Marguerite Duras’ The Malady of Death. He also directed
the Austin, TX, premiere of Constance Congdon’s Dog Opera, and has assistant directed
at Actors Theatre of Louisville, Ma-Yi Theatre Company at The Public Theater/NYSF,
San Jose Repertory Theatre, and Williamstown Theatre Festival.
The production team
assembled for The Visit includes Scenic Designer Dirk Durossette, Costume Designer
Janus Stefanowicz, Lighting Designer Jerold R. Forsyth, Properties Designer cdavid
hall-cottrill, Sound Designer Bill Moriarty, and Dramaturg Susannah Henderson.
The
Visit performs November 9–21, 2004. Press Opening is Wednesday, November 10, at
8:00pm. Performances are held in Vasey Hall, located at Lancaster & Ithan Avenues,
on the Villanova University campus. Showtimes are 8:00pm Tuesday-Saturday and 2:00pm
Sunday. Tickets are $18-$22, with discounts for seniors, groups, and students.
Villanova
Theatre continues the 2004-2005 season with William Shakespeare’s comedy Twelfth
Night, February 15–27, 2005, and the Tony Award-winning musical Big River, based
on Mark Twain’s The Adventures of Huckleberry Finn, April 5–24, 2005.
Madame Zachanassian (Joanna Rotté), along with one of her Husbands (David Ethier) confront an enraged
Ticket Inspector (Shaun Malleck)
Madame Zachanassian's "Weird Blind Little Men" (Matt Livingstone and Shaun Malleck)
Cast of Characters
VISITORS:
CLAIRE Zachanassian, née Wascher, millionairess,
Armenian Oil
Joanna Rotté
HER HUSBANDS, VII-IX
David Ethier
BUTLER (Boby)
Charles Helmetag
ROBY (Gum-Chewer 1)
Bob Bonocore
TOBY (Gum-Chewer 2)
Nick Falco
KOBY (Blind)
Matt Livingstone
LOBY (Blind)
Shaun Malleck
VISITED:
ILL, Alfred
Stephen Smith
MRS. ILL, Matilda
Taylor Williams
SON, Karl
Matt Rohner
DAUGHTER, Ottilie
Maria Gianfrancisco
MAYOR
Elizabeth Pool
PRIEST
Justin Poole
PROFESSOR
Brian Manelski
DOCTOR
Paul Recupero
POLICEMAN
André Jones
MAN ONE (HOFBAUER)
Joe Quirk
MAN TWO (HELMESBERGER)
Tom Sibley
MAN THREE (HAGHOLZER)
Tonilyn
Longo
MAN FOUR (HAUSER)
Joe Leduc
PAINTER (KUHN)
Becka
McFadden
FIRST WOMAN
Karen Ames
SECOND WOMAN
Barbara Quinn
MAYOR'S FIRST DAUGHTER
Carrie Bray
MAYOR'S SECOND DAUGHTER
Nancy Furey
MAYOR'S MOTHER (Annie)
Deborah Crane
GYMNAST
David Ethier
LOUISA
Leigh Ann Brienza
SEXTON
Shaun Malleck
TRAIN PERSONNEL:
STATIONMASTER
Matt Livingstone
TICKET INSPECTOR
Shaun Malleck
GUARD
Nick Falco
MARSHALL
David Ethier
DISTRACTORS:
FIRST REPORTER
Carrie Bray
SECOND REPORTER
Nancy Furey
CAMERAMAN
Shaun Malleck
RADIO COMMENTATOR
Matt Livingstone
Twelfth Night or, What You Will
By William Shakespeare
Directed by James J. Christy
February 15-27, 2005
When the vivacious Viola is shipwrecked on the shores of Illyria, she disguises herself as a young man and is drafted by the love-sick Duke Orsino to woo the stubborn Olivia. Romantic havoc ensues when Olivia becomes smitten with Viola (disguised as a man) and Viola, in turn, falls for the Duke, who is madly in love with Olivia! Twelfth Night is one of Shakespeare's most endearing and enduring comedies, full of ravishing language and rich characters who mix romance with laughter at every turn.
For 38 years, Dr. Christy has been a professor and director with Villanova University’s theatre department, serving as chairperson of the department for 13 years. Last year, he directed Don Juan at Villanova Theatre and Proof at Arden Theatre Company locally, and had the pleasure of directing a new play, Never Tell, written by his son, Jimmy, for the New York International Fringe Festival. In 2003, he directed fellow faculty member Michael Hollinger’s Red Herring for Actor’s Theatre of Louisville and received his sixth Barrymore Award nomination for Outstanding Direction of a Play for The Merchant of Venice at The People’s Light & Theatre Company. Other recent credits include The Trojan Women, Arcadia, and The Passion of Christ at Villanova Theatre and The Laramie Project at Philadelphia Theatre Company, which received 2001 Barrymore Awards for Overall Production of a Play, Direction of a Play, and Outstanding Ensemble. This spring Dr. Christy will direct the Philadelphia Premiere of Richard Greenberg’s Tony Award-winning play Take Me Out at Philadelphia Theatre Company.
Press Release
VILLANOVA THEATRE PRESENTS TWELFTH NIGHT
James J. Christy Directs William Shakespeare’s Popular Romantic Comedy February 15–27, 2005
Villanova Theatre is pleased to present one of William Shakespeare’s most enduring and endearing comedies, Twelfth Night, or What You Will, directed by Barrymore Award-winning director and theatre professor James J. Christy. Twelfth Night runs February 15–27, 2005, at Vasey Hall on the Villanova University campus. Showtimes are 8:00pm Tuesday–Saturday and 2:00pm Sunday. Tickets are $18–$22 and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474. Additional information is available online at http://www.villanova.edu/artsci/theatre/.
In Twelfth Night, a young woman, Viola, is separated at sea from her beloved twin brother and tossed upon the shores of the magical kingdom of Illyria. She disguises herself as a man and is drafted by Duke Orsino to woo the stubborn Lady Olivia. Romantic havoc insues when Olivia becomes smitten with Viola (dressed as a man) and Viola, in turn, falls for Orsino. A hilarious subplot involving Olivia’s hapless household makes Twelfth Night an enthralling comedy about illusion, deception, and the extraordinary things people do for love.“I adore Twelfth Night and the fun, joyous, lyrical beauty of its language,” said Christy. “The play is so well put together and features one good scene after another. It is a wonderful ensemble piece – it works well for our students at Villanova. There are great comic roles and terrific romantic characters. ”The “Twelfth Night” of the title refers to the Epiphany or the twelfth night of Christmas, celebrated throughout Europe on January 6. In Shakespeare’s time, “Twelfth Night” was an occasion for great feasting, dancing, disguises, and high sprits. Christy’s cast has embraced the history of “Twelfth Night;” they are working from the First Folio, the first publishing of Shakespeare’s text in 1623, and celebrated their own “Twelfth Night” revels. Villanova Theatre has a rich Shakespearean tradition. In the 1970’s Villanova founded a summer Shakespeare festival and collaborated with the fledgling Philadelphia Theatre Company (PTC) to produce Twelfth Night in 1975 under the direction of Robert Hedley (at that time Artistic Director of PTC and former chair of the Villanova theatre department). Christy, then chair of the Villanova theatre department, played Sir Andrew Aguecheek. “The production was quite memorable,” recalled Hedley. “It was a talented cast and it played for a long time: at Villanova and in Philadelphia, then we toured it to various venues.”
Christy, who frequently directs at major Shakespeare Festivals across the U.S., is staging Twelfth Night for the first time. “I’ve always loved Twelfth Night, but one reason I stayed away from it for so long was that I felt I couldn’t improve on Bob’s production, which I was so close to.”
Christy has not set Twelfth Night in a specific time and place. “We’re generating our own fantasyland made up of different bits and pieces; we’re working on an eclectic design that features a modern sensibility with hints of period,” said Christy. “I am deliberately avoiding a big concept and am working organically, centering the production on what is available and a part of our fantasy."
"Composer Robert Maggio has created beautiful, classical sounds that complement the sentimental and romantic feelings in the play,” Christy continued. “But this music is mixed with popular styles from the 20th century, including Cole Porter, blues, and folk rock to give it irony and wit. Among the cast we happen to have four guitarists and a violinist, so the music is composed around these instruments.”
The 20-member ensemble of Twelfth Night features a mix of Villanova graduate theatre students, undergraduates, faculty members, and guest artists, including Michael Barr (Attendant), David Binanay (Valentino), Bob Bonocore (Sir Toby Belch), Carrie Bray (Servant), Leigh Ann Brienza (Maria), Joseph Cutalo (Antonio), Peter M. Donohue, O.S.A. (Feste), Laura Egan (Servant), Nick Falco (Orsino), Baird Kistner (Attendant), Matthew Livingstone (Officer), Brian Manelski (Captain), Corinne May (Viola), Jason J. Michael (Malvolio), Drew Peterson (Fabian), Elizabeth Pool (Olivia), Justin Poole (Sebastian), Luc Radu (Curio), Matthew Rohner (Priest), Joshua Sauerman (Sir Andrew Aguecheek), and Thomas Sibley (Officer).
Christy has been a professor and director with Villanova's theatre department for 38 years. Last season he directed Don Juan at Villanova Theatre and Proof at Arden Theatre Company, as well as a new play, Never Tell, written by his son, Jimmy, for the New York International Fringe Festival. In 2003, Christy directed fellow faculty member Michael Hollinger's Red Herring at Actor's Theatre of Louisville and received his sixth Barrymore Award nomination for Outstanding Direction of a Play for The Merchant of Venice at The People's Light & Theatre Company. Other recent credits include The Trojan Women, Arcadia, and The Passion of Christ at Villanova Theatre and The Laramie Project at Philadelphia Theatre Company, which received 2001 Barrymore Awards for Overall Production of a Play, Direction of a Play, and Outstanding Ensemble. This spring Christy will direct the Philadelphia Premiere of Richard Greenberg’s Tony Award-winning play Take Me Out at Philadelphia Theatre Company.
The production team assembled for Twelfth Night includes Scenic Designer Gina Pisasale, Costume Designer Charlotte Cloe Fox Wind, Lighting Designer Jerold R. Forsyth, Properties Designer cdavid hall-cottrill, Dramaturg Taylor Williams, and Composer Robert Maggio, professor and chairman of the Department of Music Theory and Composition in the School of Music at West Chester University.
Twelfth Night performs February 15–27, 2005. Press Opening is Wednesday, February 16, at 8:00pm. Performances are held in Vasey Hall, located at Lancaster & Ithan Avenues, on the Villanova University campus. Showtimes are 8:00pm Tuesday-Saturday and 2:00pm Sunday. Tickets are $18–$22, with discounts for seniors, groups, and students. On Thursday, February 24, 2005, Villanova will host a “Speaker’s Night” featuring noted Shakespearean actor and director David Howey. An audience Q & A will immediately follow the 8:00pm performance of Twelfth Night.
Villanova Theatre ends the 2004–2005 season with the Tony Award-winning musical Big River, based on Mark Twain’s The Adventures of Huckleberry Finn. Barrymore Award-winner Peter M. Donohue, O.S.A., directs Big River April 5–24, 2005.
Sir Toby Belch (Bob Bonocore), Maria (Leigh Anna Brienza), Fabian (Drew Petersen), and Sir Andrew Augecheek (Josh Sauerman)
Sir Toby Belch (Bob Bonacore), Feste (Peter M. Donohue, O.S.A.), and Sir Andrew Augecheek (Josh Sauerman)
Viola (Corinne May) and Sebastian (Justin Poole)
Fabian (Drew Petersen), Sir Toby Belch (Bob Bonocore), Sir Andrew Augecheek (Josh Sauerman), and Malvolio (Jason J. Michael)
Cast of Characters
Orsino
Nick Falco
Valentino
David Binanay
Curio
Luc Radu
Viola
Corinne May
Sebastian
Justin Poole
Captain
Brian Manelski
Antonio
Joseph Cutalo
Olivia
Elizabeth Pool
Maria
Leigh Ann Brienza
Sir Toby Belch
Bob Bonocore
Sir Andrew Aguecheek
Josh Sauerman
Malvolio
Jason J. Michael
Fabian
Drew Peterson
Clown (Feste)
Peter M. Donohue, O.S.A.
Servants to Olivia
Carrie Bray
Laura Egan
Priest
Matthew Rohner
First Officer
Thomas Sibley
Second Officer
Matt Livingstone
Attendants to Duke
Michael Barr
Baird Kistner
Big River
The Adventures of Huckleberry Finn
Music & lyrics by Roger Miller
Book by William Hauptman
Adapted from the novel by Mark Twain
Directed by Peter M. Donohue, O.S.A.
April 5-24, 2005
Big River follows the adventures of rebellious Huck Finn and the runaway slave Jim as the two board a raft and set sail on the mighty Mississippi searching for freedom and discovering the value of true friendship. This acclaimed musical stage adaptation of Mark Twain's much-loved novel is a heartwarming piece of Americana and the winner of seven Tony Awards, including Best Score for its homespun mix of country, jazz, and gospel music.
Peter M. Donohue, O.S.A. (Director) is chairperson of the Villanova University
theatre department and teaches graduate and undergraduate courses in dramaturgy,
musical theatre, and theatrical experience. He has received five Barrymore nominations
for Outstanding Direction of a Musical for Parade, Children of Eden, Into the Woods,
Evita, and Chicago, which received nine nominations and three 2002 Barrymore Awards,
including Outstanding Direction of a Musical. Other directing credits at Villanova
include City of Angels, A Funny Thing Happened on the Way to the Forum, The Mystery
of Edwin Drood, West Side Story, Candide, and Once on This Island. His recent appearances
on the Vasey stage include Twelfth Night, Don Juan, The Trojan Women, and The Passion
of Christ.
Press Release
VILLANOVA THEATRE PRESENTS THE HIT MUSICAL "BIG
RIVER"
Peter M. Donohue, O.S.A. Stages the Tony Award-winning
Musical April 5-24, 2005
Villanova Theatre ends the 2004-2005 season with the Tony Award-winning musical
Big River: The Adventures of Huckleberry Finn, based on the classic 19th-century
American novel by Mark Twain. Big River is directed by Villanova theatre department
chairperson Peter M. Donohue, O.S.A., a five-time Barrymore nominee and winner of
the 2002 Barrymore Award for Outstanding Direction of a Musical. Performances are
April 5–24, 2005, at Vasey Hall on the Villanova University campus. Showtimes are
8:00pm Tuesday–Saturday and 2:00pm Sunday. Tickets are $18–$22, with discounts for
seniors, students, and groups, and may be ordered by calling the Villanova Theatre
Box Office at (610) 519-7474. Additional information is available online at http://www.villanova.edu/artsci/theatre/.
Big River follows the adventures of the rebellious Huck Finn and the runaway
slave Jim as the two board a raft and set sail down the mighty Mississippi River
searching for freedom and discovering the value of true friendship. This classic
tale of adventure and self-discovery is a heartwarming piece of Americana and the
winner of seven Tony Awards, including Best Musical, Best Book, and Best Score for
its homespun mix of country, jazz, and gospel music. Musical numbers include, "Do
You Wanna Go To Heaven?," "Waiting for the Light to Shine," "Muddy Water," and "Worlds
Apart."
The original production of Big River opened on Broadway in April 1985 and ran
for 1,005 performances. The show features music and lyrics by Roger Miller, one
of the great country singer-songwriters of the 1960’s. Miller’s hit records include
“Invitation to the Blues,” “King of the Road,” and “Dang Me.” He received an unprecedented
11 Grammy Awards and held that record for 20 years. Big River was Miller’s last
major work; he died in 1992 at the age of 56.
“There is a nice corollary between the music and the novel,” said Donohue. “In
Huckleberry Finn, Mark Twain was drawing from his experiences growing up in Hannibal,
Missouri. When Miller wrote Big River he was using the musical styles and language
he heard as a child in Oklahoma.”
William Hauptman, whose plays include Heat, Domino Courts (Obie Award), and Gillette
(Drama-Logue Award), wrote the book for Big River, keeping much of Twain’s narrative
and dialogue intact.“The book for Big River is very faithful to Twain’s novel,”
said Donohue. “Whole passages have been lifted verbatim and there are many scenes
that audiences will immediately recognize from the novel.”
Since its publication in America in 1885, The Adventures of Huckleberry Finn has been one of the most celebrated – and condemned – novels in modern fiction. It has been banned from libraries and schools because of its coarse language, racism, and satirization of American morality and acclaimed for its honest portrayal of life in the South at the end of the 19th century. Ernest Hemingway declared that “all modern American literature comes from one book...Huckleberry Finn.”
While this controversial novel would seem to be a peculiar choice to adapt into a musical, Donohue points out that it is an “uplifting and ultimately positive story about a young man’s journey to look beyond the surface and learn to value the inspiration he receives from unlikely sources.“
Big River features many strong performances from the graduate theatre department’s male students, including Larry Cox, Jr. as Huck Finn, Nick Falco as Tom Sawyer, Brian Manelski as Judge Thatcher, Harvey Wilkes, and Silas Phelps, Jason J. Michael as The King, and Josh Sauerman as The Duke. Guest actor Michael Hogan portrays the runaway slave Jim. Rounding out the 21-member cast are Michael Barr, Leigh Ann Brienza, Jennifer Brown, Deborah Crane, Joseph Cutalo, Justin Damm, Tricia Elms, Lizzie Hetzer, Andy Joos, Tonilyn Longo, Francine Marchelle, Elizabeth Pool, Luc Radu, Brian Stike, and Kimberly Carol Townsend.
The Big River production team includes Scenic Designer Dirk Durossette, Costume Designer Janus Stefanowicz, Lighting Designer Jerold R. Forsyth, Properties Designer cdavid hall-cottrill, Sound Designer John Stovicek, Choreographer Barby Hobyak-Roche, and Dramaturg Leah MacKenzie. Music Director Jim Ryan will lead a seven-member orchestra.
Big River performs April 5–24, 2005. Press Opening is Wednesday, April 6, at 8:00pm. Tickets are $18–$22, with discounts for seniors, groups, and students. For tickets and information, please call the Villanova Theatre Box Office at 610-519-7474 or log on to http://www.villanova.edu/artsci/theatre/productions/tickets.htm.
Production Photos
Ensemble in "Do Ya Wanna Go To Heaven?
Miss Watson (Elizabeth Pool), Widow Douglas (Deborah Crane), Pap Finn (Andy
Joos), Huckleberry Fin (Larry Cox, Jr.), and Judge Thatcher (Brian Maneklsi)
Huck (Larry Cox, Jr.) and the Gang (Justin Damm, Tricia Elms, Nick Falco,
Joseph Cutalo, and Michael Barr)
Jim (Michael Hogan), The King (Jason J. Michael), Huck (Larry Cox, Jr.),
and The Duke (Josh Sauerman)
Lafe (Justin Damm), Hank (Michael Barr), and Andy (Joseph Cutalo)
Huck (Larry Cox, Jr.) and Mary Jane Wilkes (Tonilyn Longo)