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Villanova Theatre’s 50th Anniversary Season

Long Day's Journey Into Night

Long Day's Journey Into Night

September 23 – October 5, 2008  
Written by Eugene O’Neill
Directed by Robert Hedley
Featuring Joanna Rotté as Mary Tyrone

Widely acknowledged as O’Neill’s masterpiece, Long Day’s Journey into Night is the playwright’s searing exorcism of his own family demons. As the sun rises on a seemingly placid summer day, a tightly-wound Irish-American family begins to unravel. The bullish James doggedly deflects his sons’ criticisms; Jamie and Edmund struggle to communicate with the parents who love them to the point of blindness; and frail Mary retreats steadily into a dream world. Awarded the Pulitzer Prize for Drama, Long Day’s Journey is a gripping, poetic experience of family that is both exceptionally intimate and universally profound. 

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Long Day's Journey Into Night

 

Long Day's Journey Into Night

Le Dindon (An Absolute Turkey)

Le Dindon (An Absolute Turkey)

November 11 – 23, 2008
Written by Georges Feydeau
Translated and adapted by Nicki Frei and Peter Hall
Directed by Harriet Power

Complete with slamming doors and mistaken identity, Le Dindon is a lightning-paced symphony of intrigues, betrayals and misunderstandings by the supreme master of farce. A lecherous lout lusts after his friend’s wife, who hatches a mischievous revenge plot. Liaisons are arranged and bungled in a shady hotel, couples re-couple, and bedtime leads to bedlam. The delicious confusion leads to a climax that the New York Times called, simply, “Glorious!”


Villanova Theatre to Challenge, Stimulate Audiences
with Mother Courage and Her Children

From November 13-18 and November 27-December 2, Villanova Theatre will entertain and challenge audiences with Bertolt Brecht’s epic drama, Mother Courage and Her Children. The production is directed by Assistant Professor Shawn Kairschner and features Professor Joanna Rotté in the title role. Mother Courage, written in the midst of World War II and set in the 1600s during the Thirty Years’ War, offers a highly theatrical examination of the relationship between commerce and conflict. Audiences will be invited to discuss the play’s enduring relevance during a post-show discussion on Thursday, November 29.

Villanova Theatre is located in Vasey Hall on the Villanova University campus. Performances will be held at 8:00pm on Tuesday – Saturday and at 2:00pm on Sundays and the second Saturday. Tickets cost $20-$24, with discounts for seniors, students, and groups, and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474. Additional information is available online at www.theatre.villanova.edu.

In Brecht’s masterpiece, Mother Courage and Her Children, a war rages on while the worldly-wise Mother Courage seeks her fortune selling goods to the soldiers. But the war exacts a price – as war always does – and Mother Courage’s soaring profits are tempered by searing loss. First performed in 1941, Mother Courage remains deeply moving and powerfully relevant.

When Villanova Theatre’s 2007-2008 season was announced last spring, Kairschner remarked that he hoped a change in US involvement with Iraq would have made Mother Courage less relevant at production time. Now, he hopes the play will invite exploration of the deeply personal impact that war has on individuals. “After a protracted war, the characters in the play are living in a climate of absolute scarcity,” he commented. “From our vantage point of plenty, it can be tempting to judge them according to our own experience. We forget that the decisions these people are forced to make are the result of the devastation of their communities and the decimation of their families.”

The aesthetic of Villanova Theatre’s production intertwines the world of the play with the era during which it was written. Janus Stefanowicz’ striking costumes capture the sensibility of the 17th Century, while incorporating the flair of the 1940s. The set, designed by Master’s student Lance Kniskern, is deceptively simple, with artfully designed multi-purpose pieces that move gracefully across a vast map of the countries involved in the Thirty Years’ War. John Thomas’ score, played onstage by an acoustic trio, sets Brecht’s songs to appealing melodies that accent the timeless quality of the play.

Bertolt Brecht (1898-1956) was a poet, playwright, and theatre director. He was born in Augsburg, Germany. Brecht’s early plays, marked by a revolt against bourgeois values, won him success, controversy, and the Kleist Prize in 1922. Popularity came with Die Dreigroschenoper (1928, The Threepenny Opera), an adaptation of Gay’s The Beggar’s Opera (1728), and from then until 1933 his work was particularly concerned with encouraging audiences to think rather than identify, and with experimentation in epic theatre and alienation effects. Hitler’s rise to power forced Brecht to leave Germany, and he lived in exile for 15 years, chiefly in the U.S. During this period, he wrote some of his greatest plays, including Mutter Courage und ihre Kinder (1938, Mother Courage and Her Children) and Der Kaukasische Kreidekreis (1945, The Caucasian Chalk Circle). After his return to East Berlin in 1948, his directorial work on these and other plays with the Berliner Ensemble firmly established his influence as a major figure in 20th Century theatre. In 1955, one year before his death, he received the Stalin Peace Prize.

Shawn Kairschner, Ph.D., joined the Villanova University faculty in 2006 and directed last fall’s production of The Tempest. He has performed and directed in numerous venues in the United States and in England, including a three-year stint as the Artistic Director of the Sideway Theater Company in Berkeley, C.A., for whom he directed or produced a variety of productions from Shakespeare to original, one-person shows. Recent directorial credits include The Caucasian Chalk Circle in Williamstown, M.A., as well as Equus, A Midsummer Night’s Dream, and a musical adaptation of Christina Rossetti’s Goblin Market at Stanford University, where he received his Ph.D.

Joanna Rotté, Ph.D. is a writer, actor, and director. She is professor of theatre in Villanova University’s Master’s program in theatre, as well as former chair of the department. She has lately appeared on the Vasey stage as Sister Beatrice in Fred and Jane, Hannah Hawke in Prayers of Sherkin, Claire Zachanassian in The Visit, and Catwoman in By the Bog of Cats. . .. Her most recent directing endeavor was last season’s The Chairs by Ionesco. Her own plays – Prajna, Death of the Father, and Art Talk – have been featured presentations at the Philadelphia Fringe Festival. She is the author of Scene Change (A Theatre Diary: Prague, Moscow, Leningrad) and Acting With Adler. She writes regularly for the Soul of the American Actor Newspaper, archived at www.homepage.villanova.edu/joanna.rotte.

Mother Courage and Her Children runs November 13-18 and November 27-December 2, 2007. Show times are 8:00pm Tuesday – Saturday and 2:00pm Saturday and Sunday. Tickets are $20-$24 and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474. Visit www.theatre.villanova.edu for more information.

Metamorphoses

Metamorphoses

February 3 – 15, 2009
Based on David R. Slavitt’s translation of The Metamorphoses of Ovid
Written by Mary Zimmerman
Directed by Shawn Kairschner 

A pair of lovers lift from the ocean, transformed into gulls; a daughter morphs into gold and back to human form; a beautiful man becomes a poolside flower; a steadfast couple sprout roots and leaves, their limbs intertwining forever. In Mary Zimmerman’s lyrical update of Ovid’s classical myths, humans who sink into a pool of water emerge divine, and love serves as alchemist in a series of gorgeous, fluid transformations.

Cabaret

Cabaret
March 24 – April 5 &
April 14 – 19, 2009
Music by John Kander
Lyrics by Fred Ebb
Book by Joe Masteroff
Directed by Valerie Joyce

Wilkommen! Bienvenue! Outside the Kit Kat Klub, life in Berlin is becoming strained as the Nazis rise to power. But inside … ah, inside! Our Emcee instructs guests to leave their troubles at the door, while musicians and dancers sizzle and decadence prevails. Cabaret’s captivating story pulls together an American novelist, a British nightclub singer, a Jewish fruit vendor, and a German businesswoman in an intricate dance of politics and passion.

The Illusion to Cast A Spell Over Villanova Theatre Audiences
Tony Kushner’s Spellbinding Adaptation Completes 2007-2008 Season

As the finale to its 2007-2008 season, Villanova Theatre will mount a magical production of The Illusion by Pierre Corneille, freely adapted by Tony Kushner. Barrymore Award-winning director Harriet Power leads an exceptional artistic team including Barrymore winners Jorge Cousineau (sound) and Jerold Forsyth (lighting), Charlotte Cloe Fox Wind (costumes), and Frank McCullough (set), who was a key member of the 2007 Tony Award-winning set design team for Broadway’s The Coast of Utopia. The Illusion will be on stage April 15-27, 2008.

Villanova Theatre is located in Vasey Hall on the Villanova University campus. Performances will be held at 8:00pm on Tuesday – Saturday and at 2:00pm on Sundays and Saturdays (no Saturday matinee during the first week). Tickets cost $20-$24, with discounts available for seniors, students, and groups, and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474 or online at www.theatre.villanova.edu.

Blurring the boundary between truth and fantasy, The Illusion is a moving testament to the mysteries of love and the transformative power of the theatre. When a desperate lawyer consults a magician to discover the whereabouts of his estranged son, the sorcerer obliges – but the vivid scenes he conjures are baffling. Reality seems fluid, time is capricious, and facts are impossible to pin down. Variety called Kushner’s adaptation of The Illusion “laugh-out-loud funny, a bright and buoyant blend of 17th century attitudes and contemporary farce.”

Power’s 1997 production of Kushner’s Angels in America, Part Two: Perestroika, co-directed with James J. Christy, garnered her the Barrymore Award for Outstanding Direction of a Play. She has a special affinity for Kushner’s writing, and relishes the playfulness and accessibility of The Illusion. Says Power: “Audiences who have previously encountered Tony Kushner’s work are in for a wonderful surprise. His adaptation of Pierre Corneille’s 17th century comedy unfolds with humor, a richness of language that rivals Shakespeare’s, and his usual uncanny insight into what makes us human. I must admit, I laugh and weep every single time I read the script. I hope audiences will delight in the strange, wonderful, and ultimately familiar journey of the play, and recognize the lengths we’ll go to for love.”

During his long association with Parisian theatres, French dramatist and poet Pierre Corneille (1606-84) wrote more than 30 tragedies and comedies. In 1637, the production of his most celebrated play, the tragicomic Le Cid, marked the beginning of a resurgence in French drama. The Illusion was originally titled L'Illusion comique and was first performed 1636. Corneille was elected to the Académie-Française in 1647.

Tony Kushner is the author of the Pulitzer Prize-winning Angels in America, Part One: Millennium Approaches and Part Two: Perestroika, both of which also received the Tony Award for best play. His works, which include Caroline or Change, Homebody/Kabul, and A Bright Room Called Day, have been produced throughout the country and abroad.

Harriet Power is an award-winning director and associate professor in the Villanova University Theatre Department. Her recent directing credits include the world premiere of Jeff Baron’s Brothers-in-Law, currently at Act II Playhouse; Chekhov’s Three Sisters, Michael Hollinger’s Incorruptible, and the American premiere of Sebastian Barry’s Fred and Jane at Villanova Theatre; the world premieres of Seth Rozin’s Reinventing Eden and Missing Link (which received the Theatre Alliance of Greater Philadelphia’s Barrymore nomination for Outstanding New Play) at InterAct Theatre; and Measure for Measure at Philadelphia Shakespeare Festival, which received a Barrymore nomination for Outstanding Direction of a Play.

The Illusion will be on stage April 15-27, 2008. Show times are 8:00pm Tuesday – Saturday and 2:00pm Saturday and Sunday. Tickets cost $20-$24 and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474 or online at www.theatre.villanova.edu .

Special Events

Cabaret
Let It Be Art! Harold Clurman's Life of Passion

Written and performed by Ronald Rand
Directed by Gregory Abels

Monday, December 1, 2008
Tickets: $15 general admission, $10 subscribers, $7 students

Bold, brilliant, irreverent, inspirational - Harold Clurman has been called the most influential figure in the history of American theatre. Ronald Rand's startling transformation brings this legendary director, author, teacher, and critic vividly to life, putting us in the presence of a great spirit and crystalline mind.

The Illusion to Cast A Spell Over Villanova Theatre Audiences
Tony Kushner’s Spellbinding Adaptation Completes 2007-2008 Season

As the finale to its 2007-2008 season, Villanova Theatre will mount a magical production of The Illusion by Pierre Corneille, freely adapted by Tony Kushner. Barrymore Award-winning director Harriet Power leads an exceptional artistic team including Barrymore winners Jorge Cousineau (sound) and Jerold Forsyth (lighting), Charlotte Cloe Fox Wind (costumes), and Frank McCullough (set), who was a key member of the 2007 Tony Award-winning set design team for Broadway’s The Coast of Utopia. The Illusion will be on stage April 15-27, 2008.

Villanova Theatre is located in Vasey Hall on the Villanova University campus. Performances will be held at 8:00pm on Tuesday – Saturday and at 2:00pm on Sundays and Saturdays (no Saturday matinee during the first week). Tickets cost $20-$24, with discounts available for seniors, students, and groups, and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474 or online at www.theatre.villanova.edu.

Blurring the boundary between truth and fantasy, The Illusion is a moving testament to the mysteries of love and the transformative power of the theatre. When a desperate lawyer consults a magician to discover the whereabouts of his estranged son, the sorcerer obliges – but the vivid scenes he conjures are baffling. Reality seems fluid, time is capricious, and facts are impossible to pin down. Variety called Kushner’s adaptation of The Illusion “laugh-out-loud funny, a bright and buoyant blend of 17th century attitudes and contemporary farce.”

Power’s 1997 production of Kushner’s Angels in America, Part Two: Perestroika, co-directed with James J. Christy, garnered her the Barrymore Award for Outstanding Direction of a Play. She has a special affinity for Kushner’s writing, and relishes the playfulness and accessibility of The Illusion. Says Power: “Audiences who have previously encountered Tony Kushner’s work are in for a wonderful surprise. His adaptation of Pierre Corneille’s 17th century comedy unfolds with humor, a richness of language that rivals Shakespeare’s, and his usual uncanny insight into what makes us human. I must admit, I laugh and weep every single time I read the script. I hope audiences will delight in the strange, wonderful, and ultimately familiar journey of the play, and recognize the lengths we’ll go to for love.”

During his long association with Parisian theatres, French dramatist and poet Pierre Corneille (1606-84) wrote more than 30 tragedies and comedies. In 1637, the production of his most celebrated play, the tragicomic Le Cid, marked the beginning of a resurgence in French drama. The Illusion was originally titled L'Illusion comique and was first performed 1636. Corneille was elected to the Académie-Française in 1647.

Tony Kushner is the author of the Pulitzer Prize-winning Angels in America, Part One: Millennium Approaches and Part Two: Perestroika, both of which also received the Tony Award for best play. His works, which include Caroline or Change, Homebody/Kabul, and A Bright Room Called Day, have been produced throughout the country and abroad.

Harriet Power is an award-winning director and associate professor in the Villanova University Theatre Department. Her recent directing credits include the world premiere of Jeff Baron’s Brothers-in-Law, currently at Act II Playhouse; Chekhov’s Three Sisters, Michael Hollinger’s Incorruptible, and the American premiere of Sebastian Barry’s Fred and Jane at Villanova Theatre; the world premieres of Seth Rozin’s Reinventing Eden and Missing Link (which received the Theatre Alliance of Greater Philadelphia’s Barrymore nomination for Outstanding New Play) at InterAct Theatre; and Measure for Measure at Philadelphia Shakespeare Festival, which received a Barrymore nomination for Outstanding Direction of a Play.

The Illusion will be on stage April 15-27, 2008. Show times are 8:00pm Tuesday – Saturday and 2:00pm Saturday and Sunday. Tickets cost $20-$24 and may be ordered by calling the Villanova Theatre Box Office at (610) 519-7474 or online at www.theatre.villanova.edu .