|
The TEACH Act neither substitutes, nor alters or affects the scope of the
“fair use” doctrine. The
Senate Report 107-3131
accompanying the TEACH Act expressly states:
Not only instructional performances and displays, but also other educational uses of works, such as the provision of supplementary materials or student downloading of course materials, will continue to be subject to the fair use doctrine. Fair use could apply as well to instructional transmissions not covered by the changes to section 110(2) . . . .
About the TEACH Act
The TEACH Act is an attempt to balance higher education’s use of distance
learning while protecting copyright holders from greater chances of infringement
because of digital access and distribution. The TEACH Act supplements the “fair
use” exception (see
Copyright Education Materials to copyright law. While the fair use
exception employs a balancing test, the TEACH Act provides more specific
guidelines to provide an institution a “safe harbor” from copyright
infringement.
Educators who want to include copyrighted material in a course pack or
electronic reserve without the copyright holder’s permission should examine the
possible application of “fair use,” not the TEACH Act.
The TEACH Act has several goals. Primarily, the TEACH Act seeks to simulate
the face-to-face instruction exception of copyright law in the digital context
of distance learning. Recognizing that education has expanded outside of the
traditional classroom and the importance of digital media in distance learning,
the TEACH Act seeks to resolve copyright questions. Second, the TEACH Act
broadens the copyright exemption for instructional transmissions to include
distance education learning by removing the idea of the physical classroom.
Third, the TEACH Act expands the categories of works that can be performed.
Fourth, it allows for copyrighted works to be stored on a server to be accessed
at asynchronous times. Fifth, it permits institutions to digitize copyrighted
works when digitized versions do not exist and the material is not protected by
technological enhancements preventing its conversion. Finally, it clarifies
that any temporary or transient copies made incident to digitization do not
infringe.
Instructor Responsibilities
- Copyrighted material must be provided at the direction of, or
under actual supervision of an instructor and the material must be an
integral part of the class session.
- The performance or display must be directly related and of
material assistance to the course’s curriculum, i.e., not merely for
entertainment purposes.
- The material’s amount must be analogous to the type that would
take place in one live classroom setting, e.g., the use of a short
poem, essay or photograph. Distribution of material that would typically
span more than one class session is not allowed, i.e., whole textbooks,
course packs, or other material in media.
- Instructors must provide notice to students that the materials
used in connection with the course may be subject to copyright protection.[1]
- Instructors should use passwords to limit access to those
students enrolled in the course. Access to the electronic course
content should end at the conclusion of the course (typically the end of the
semester). UNIT provides support to facilitate these measures.
Preferably, instructors should link to materials already legally available on
the Internet, before scanning or creating digital copies. Instructors should
take care to ensure that such links are not “framed” within the instructors
Webpage in such a way as to confuse the user about the location or source of the
linked material.
When instructors make copyrighted works, in any format, they should include
appropriate copyright notices and attribution.
Instructors should instruct students not to make unauthorized copies of
course material. For information on Villanova’s copyright policies instructors
should direct students to the
Villanova University Intellectual Property Policy.
The TEACH Act re-wrote Section 110(2) and added Section 112(f) to the
Copyright Act. The Section 110(2) amendments expand an instructor’s rights to
include the transmission of the performance of entire non-dramatic literary or
musical work and reasonable portions of all other performances; transmission of
displays of works, including videotapes and films and any dramatic musical work
all via digital networks. Section 112(f) gives entitled institutions the right
to make copies of digital works and to digitize portions of analog works, if:
(A) such copies or phonorecords are retained and used solely by the body
or institution that made them, and no further copies or phonorecords are
reproduced from them, except as authorized under section 110(2); and
(B) such copies or phonorecords are used solely
for transmissions authorized under section 110(2).
The full text of the TEACH Act can be found
here.
Additional Resources
For more
information on the TEACH Act see:
- The American Library
Association’s description of the TEACH Act’s legislative history and
Kenneth Crew’s article, “New Copyright Law for Distance Learning Education:
The Meaning and Importance of the TEACH Act.”
- Part of the University of Texas’s
Copyright Crash Course describing the TEACH Act and its implications as
well as an institutional checklist for when an institution is ready to use
the TEACH Act.
- North Carolina State University’s
TEACH Toolkit written by Peggy Hoon (2002)
[1] Sample language could read: “The materials displayed in this
WebCT/Blackboard Classroom are copyrighted. All rights are reserved. The
materials may only be used by students and faculty registered in the
class and only for educational purposes. They cannot be copied or
disseminated for any other purpose.”
|